Kitchen

Monday, 4 May 2015 •

For six years of my life, I lived in Spain. I often get told how lucky I was to have experienced living abroad: and I was, I have no doubt about that. Living in Spain has given me something different to answer the common interview question, "tell me an interesting fact about you," and I am incredibly thankful! Living in another country gave me an experience many don't ever get to have, and was essential to my growth. I feel I became a more receptive, understanding and welcoming person due to my adventures, and I am able to communicate well with people from all walks of life.

That being said, I spent most of my time out there wanting to move into the British overseas colony known as Gibraltar. Living so close to the area, I was jealous of those being able to live the foreign experience with the added familiarity of home, Britain. And so when I finally got the chance to move into the area to study A Levels, as my school was only able to provide International Baccalaureate and my family were worried at how recognised the curriculum was, I was extremely happy.

The School I studied at before moving to Gibraltar, Sotogrande International School, promoted and celebrated art as if it were the most important subject. We were constantly encouraged to create, be it musically, technologically, or dramatically. It was intimate and raw: forever being challenged to reach into our imagination, and it is something I believe directly influenced my decision to study Design.

My studies in Gibraltar were a different story. The arts were not celebrated as consciously, and they lacked a contemporary and modern pull. Art was studied mainly through the more traditional methods.

Despite this, Gibraltars education system is well balanced and passionate: the government offer students the opportunity to progress through university free of charge, which is valuable. After completing a degree many return home to the area and try to begin a career. Unfortunately, there is a lack of opportunity in the creative industries within the area, and there is little support.



Recently, a group, dissatisfied with the current situation, have began to take matters into their own hands. Patrizia Imossi, Christopher Tavares and Stefano Blanca Sciacaluga have created a living, breathing workspace for young artists in Gibraltar. With the lack of studio space to facilitate the exploration and experimentation involved in the creative arts, the group set up the place as a blank canvas for all artists of every media. The Listen to the Sirens Space for Contemporary Art concept is simple: an exhibition in the form of a communal studio, allowing curation to occur and culminate into a final show of the achievements within the initiative.

I absolutely love this idea. Like many, I find it difficult to separate my home life to my working life, especially when lacking a space dedicated to such. Though I now have my own workspace within my home, the creation of a studio allowing creatives to collaborate, learn and appreciate each others work will truly aid the design industry in Gibraltar, or rather the lack of one.




Part of the Listen to the Sirens project is Kitchen, a space for "experimenting and trying new recipes." The project is extremely important for many reasons: for creating an arts hub in an area that does not currently possess one, for providing activities, workshops, communication and discussion, and for being a collaboration between the Ministry of Culture of the Government of Gibraltar, and Little Constellation, a Network for Contemporary Arts within small states and micro areas of Europe, based within the Republic of San Marino. It's great to see the government acknowledge the need for a creative space, backing the creative industries and taking on board the need for such a program. The interest and research being currently conducted into contemporary visual cultures within all micro areas of Europe is great news for the trade, and the marriage between different territories allows the project to be more diverse.

As someone who has lived abroad, I can understand the importance of gaining experience within different cultures, especially in an industry which relies heavily on a connection with the audience, therefore it's great to see smaller communities getting involved and opening doors to a better cultural experience: and possibly allowing the opportunity for creatives to have a place and career in the area.

Though the installation will only be operating between the 30th of April until the 5th of June, I hope this is the start of a new direction within Gibraltar. I hope for future students and creatives, myself included should I choose to return to the area following finishing my degree, that the creative arts are more open and easily accessible, and there are more opportunities to explore such. The installation is a great platform, open to all and transforming into something the country can be proud of: building up from the artistry within the area, showing all kinds of different skills and experiences within an area of self study. I truly wish there had been something similar whilst I had been living there, and also wish there was something of this nature within my current location, Newcastle Upon Tyne. The idea of constructing a space from a blank page into a collaboration between so many is beautiful, and a perfect example of the support within the industry, and also community spirit. I can't wait to follow the story and see the final outcome.

You can find out more about the installation here, here.

We Are Creative.

Thursday, 19 February 2015 •

The place where I study, Newcastle College, recently unveiled a new exhibition held in our building. The exhibition showcases the staff members work, including my current tutors. Though I knew that my tutors were talented, there wasn't really a platform where I could see their skills, beyond what they had shown as examples. I think the idea of this exhibition is great as it has given me more confidence in who is guiding me, and also allowed me to see just how talented my tutors really are.


A lot of people are quick to put down college courses, stating that they are the easier option to university courses, and I couldn't disagree more. My reasoning for going to college over university, studying a foundation degree, was due to the price of studying at a university. With college tuition being almost £3,000 less, it seemed more viable for me, as I was worried about the amount of debt I would be left with after finishing my degree. I've personally found that the course is much more supportive than what you would receive at university. With friends currently studying at university, and undertaking the same degree, they have admitted before that they hardly see their lecturers, and the opportunity for one on one support is just not there. My tutors on the other hand are always around to speak to, and always offer help when asked. The availability of one on one support is constant.

 

Another reason people prefer university courses over college courses is the misconception that the standard is just not the same. But you can see here, with some staff having studied the same foundation degree I am currently doing, that they are clearly skilled in their subjects, and it is inspiring to learn from them.



With Newcastle College hosting a variety of different creative courses, from textiles, graphic design, photography, product design, interior design: the opportunities are endless. And it is great to know that no matter what direction you decide to take with a brief, there will be someone who has expertise in that method, who can help you.